I used anamorphic lenses to best capture the memory and canonical vision of these two worlds. The strong contrast between the vibrant colors of Sicily and the more austere and severe Milan. The nostalgic look was made possible by the combination of ALEXA Mini LF with Signature Prime lenses.įor the first part, which recounts the early years of the two protagonists’ lives, we wanted a nostalgic yet classic look.
#Arri orbiter free#
The ability to feel free of the medium I am using, and to know that my vision will be 100% respected, gives me room for inspiration and helps my workflow.
The ARRI ALEXA is a formidable camera, a shifting eye that can adapt to any number of cinematic atmospheres. How often do you use ARRI tools in your work and what do you appreciate most about them? These important work experiences and the relationships that I have built with various cinematographers have undoubtedly shaped my technique and, in part, my artistic vision. In 2012, after several comparative tests between digital cameras and traditional cameras with Kodak Vision3 film, Fabio Zamarion and Giuseppe Tornatore decided to use ALEXA Studio for the film “The Best Offer.” This choice is indicative of the major changes that took place in those years, changes that ARRI made possible thanks to its wide dynamic range cameras and their extreme flexibility and stability. I used the D21 on several projects, in particular on the documentary “L'ultimo Gattopardo,” directed by Giuseppe Tornatore and photographed by Fabio Zamarion, who I studied under and worked for as a digital imaging technician.
#Arri orbiter how to#
Knowing how to use this machine allowed me to work with important personalities of the Italian film scene. Those were the years when the first digital cameras were launched: ARRI launched the D21 in 2008, a beautiful camera with a digital sensor and a mechanical shutter, unique of its kind. I started as a digital imaging technician in 2006, at the beginning of digital cinema in Italy. How did you start your journey to become a cinematographer? During the work on his commercials “La forza delle connessioni” for Tim signed by Giuseppe Tornatore, Spotify for Sanremo 2023, and the opening spot at the Venice film festival, he relies on ARRI tools as important allies. After a long and pioneering journey as a digital imaging technician, Emanuele Zarlenga is now an established cinematographer. Emanuele Zarlenga first approached the world of filmmaking through film studies at the University of Rome, followed by practical training on sets.
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